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Introduction:
get yourself some apples!
After drinking the stuff for years, I thought: why not have a go
at making some cider myself? According to the instruction books,
all I need is some apples! And I had some, having been given them
by various friends who had a surplus. Most of the apples I was given
were eating apples of unknown variety, which I supplemented with
some crab apples I picked from some trees in a local hedgerow. I
started out with about 80 lbs of mixed dessert apples, plus around
12.5 lbs of crabs. It took me the best part of two days to wash,
sort, mill and press these apples using the fairly basic equipment
at my disposal - but this was partly due to my inexperience, as
you will see.
Step
1: Sort & Wash the Apples
The first step was to wash the apples. I found this easiest to do
out of doors, using the garden hosepipe and an old tin bath we have
lying around in the back yard - it's Zider Ed's, but he doesn't
use it much! [Bl**dy cheek! I 'as a bath every mumf, rain or shine!
- Zider Ed]
Garbage
In, Garbage Out
While washing the apples, I removed any bits of branch or leaves
attached to them, and discarded a few that had started to rot and
turn a brown colour. As a general rule, if you wouldn't be prepared
to eat it, you shouldn't be prepared to drink it - the "Garbage
In, Garbage Out" principle applies as much to cidermaking as
to anything else!
Step
2: Mill the Apples
Having washed and sorted the apples, the next stage was to mill
them. I don't have a scratter, but I do have a Pulpmaster I've used
before for crushing fruit for winemaking. It's simply a rotating
blade that attaches to an ordinary electric drill. There's a special
pail for use with it, which has a hole in the lid through which
the shaft of the blade passes. The pail is around 2 gallons in capacity,
about the same as a normal household bucket.
Crushing
the Apples
The crab apples are small enough to crush without any further preparation,
but I've found that larger apples are easier to crush effectively
if they're first chopped up into smaller chunks - I cut them into
eight pieces each, or four for smaller apples. This may not be strictly
necessary but I found it helps. It also allowed me to remove a few
bad portions where worms or wasps, etc., had eaten the apples.
Now - the crushing itself.
I found this to be a messy job. By trial and error I found it best
to load the bucket about half full with apples (chopped if necessary),
then put the lid with drill attachment in place. Raise the drill
to its highest level, switch on, then lower slowly into the apples.
Of course you can't see what's happening, but you can feel the apples
coming into contact with the blade. After slowly raising and lowering
the blade (with power still switched on) I found after about 30
seconds I could feel no more resistance, at which point I switched
off the drill and removed the lid. The pulp and lumps of apple were
distributed around the sides of the bucket - and the lid, demonstrating
the need to keep the lid firmly closed while pulping!
At this point I would
remove some of the pulp - placing it into a second bucket kept handy
for this purpose - then redistribute the apple lumps into the centre
of the pulping pail, and repeat the process. I would do this until
most of the apples in the original load had been pulped. I would
then add more apples and continue pulping in the same way. At the
very end of pulping, when all the apples had been used up, I found
it more or less impossible to pulp the last few pieces - I just
chopped them as small as possible with a knife and added them to
the pulp. One point to note is that the pulp very quickly gets oxidised
- within seconds it would turn from white to brown, as can be seen
in the photo. This is normal and nothing to worry about - and I
doubt there's anything you can do to prevent it. A safety warning
here: as with all activities involving power tools, it is potentially
dangerous. It goes without saying that you should take great care
when using the Pulpmaster, or it might be more than just your apples
that get pulped!
On the first day of pulping,
I pulped all the apples and then moved on to pressing (more on this
below). I realised that it would be better to mill and press in
parallel, which is what I did on Day Two. So my recommendation is
to accumulate enough pulp for your first pressing and then proceed
to press, then return to continue milling while you wait for the
juice to run out of the press.
Step
3: Pressing
Moving on to more pressing matters - my press is a fairly small
one of only around 4 litres capacity. It's a basket screw press,
fairly strong and sturdy, made of steel coated in nylon to prevent
the juice coming into contact with the metal, which would ruin the
cider (and probably the press too, eventually).
Inside the basket goes
a muslin bag to hold the pulp in but allow the juice to run out.
By trial and error I found it best not to put too much pulp in at
once - in my case a few inches deep seemed best. The reason is that
if you put too much in, the juice in the centre of the mass of pulp
cannot easily run out through the compressed pulp surrounding it.
So, even though it takes longer to do many small pressings rather
than one large one, you will end up with more juice - which after
all is the object of the exercise. Patience should be your watchword
when pressing - more on that later, too.
Now the pressing operation itself: having loaded the pulp into the
bag inside the basket, I folded the top over and placed the heavy
steel pressing plate over the top, then insert the screw mechanism
and start to tighten the screw. As the pulp is pressed, juice runs
out fairly fast at first, so before you start, make sure you have
an empty container big enough to collect the juice, underneath the
press. In my case a kitchen bowl of a few pints' capacity was big
enough.
Once the initial flow
of juice had slowed down to a trickle, I would tighten the screw
further and the juice would flow again. After repeating this a few
times I found that the screw would become difficult to turn any
further. I discovered that after leaving it alone for a while, I
could then turn it tighter again fairly easily. By tightening, waiting,
and then retightening, waiting again, tightening again, I was able
to extract more juice. Patience pays off again! It was to take advantage
of the "waiting periods" that I decided to mill and press
in parallel - while waiting for the press I could continue milling,
making use of the idle time in the pressing operation. I did this
on the second day and not only speeded up the overall operation,
but I got more juice as well.
I found that after repeating
the tightening/waiting sequence a number of times, the law of dimishing
returns kicked in. Once I found I was getting little juice and I
could not turn the screw without difficulty I decided that I'd got
all I could usefully get out of that batch of pulp. Slackening off
the screw, I was able to empty out the cylindrical cake of pulp
and start again with a fresh load. I had originally intended to
soak the pulp and go for a second pressing, but in the end I decided
it seemed too much like hard work and just threw it on my compost
heap.
Step
4: Fermentation
As I collected the juice from each pressing, I poured it into demijohns
(1 gallon glass jars). At some stage I would take a sample and measure
the OG of each, and note it down (more on this later). When a jar
was nearly full I mixed in a crushed Campden tablet with each gallon,
to sulphite the juice. This is not strictly necessary and I was
in two minds whether to do it. However, the advice I had been given
suggested that sulphiting reduces the risk of contamination of the
cider by undesirable bacterial action. The down side is that it
inhibits the yeast activity and slows the start of fermentation.
This is nothing to worry about, as if the worst comes to the worst,
you can add a wine yeast to get it going. I intended to leave it
a while and wait and see what happens - I was in no hurry... The
picture shows two partially filled demijohns illustrating the different
appearance of the crab apple juice (left) and the other apple juice
(right). As can be seen, the crab juice was a lot clearer than the
murky-looking juice from the dessert apples. However it all cleared
during fermentation (see below).
Having filled each demijohn
I added a bung with a fermentation lock, the lock being filled with
sodium metabisulphite solution. I always put a small plug of cotton
wool in the top of the lock, to keep flies from drowning in the
solution, in their attempts to swim, Shelley Winters style, through
the lock to get at the scrumpy! On the subject of sodium metabisulphite,
I should mention that I previously made sure all the equipment I
used was clean, and I sterilised it using more of the same solution,
which I then rinsed off.
Returning for a moment
to the subject of Original Gravity (OG): this is a measure of the
strength of the juice with regard to the fermentable material. The
higher the OG, the stronger the resulting cider is likely to be
in alcohol. My cider came out at around 1054 to 1060, which is acceptable,
being at the lower end of the desired scale. If the OG had been
much lower I could have increased it by adding the appropriate amount
of sugar. I'm glad I didn't have to do this as I was keen to make
cider from juice which is as pure as possible (notwithstanding the
addition of Campden tablets which I saw as a necessary evil). I
was fortunate that the acidity of the juice was about right - probably
a fluke as I had no idea what type of apples they were! Many thanks
to Andrew Lea for his expert advice on this.
Step
5: Maturation
Having filled the demijohns and fitted them with airlocks, I left
them in a warm cupboard for a few days. After this time, the juice
was showing signs of fermentation, getting vigorous after another
few days. I then moved the jars to a cooler room. The fermentation
continued, but more slowly. The rate of fermentation varied between
individual batches, but after a while they more or less looked the
same.
After about two months
I racked the cider off the lees, which had many bits of crushed
apple in them. The cider was clearing nicely by this time. I left
it for another couple of months by which time the fermentation had
more or less stopped (as I could tell by the levels and movement
in the fermentation locks). I then racked the cider into bottles
(I used my favourite old beer/cider bottles with internal screw
stoppers).
Step
6: Wassail!
The final result? Judge for yourself!
Conclusions and lessons
learned
In the interests of clarity I've simplified the description above,
to more or less say what I would do now if I was doing it all over
again. There were a few things that I haven't mentioned. For example,
I did try fermenting a couple of gallons without adding sulphite.
These samples started to grow a kind of mould on the top after a
few days, so I syphoned the juice off and sulphited again. In these
cases I later added wine yeast as the fermentation didn't seem to
be working. So I concluded that it's safer to sulphite the juice
if you want to avoid problems.
I also discovered that
in my case the cider dropped beautifully clear without any need
to filter it (not that I would have done anyway). This shows that
real cider does not have to be cloudy. You can see this in the picture
above.
The
Bottom Line
Yes, yes, you're probably saying - but what does it taste like?
Very good, actually! I was most surprised that the cider I made
was very palatable, contrary to my expectations, given my total
lack of experience at making it. Maybe this was beginners' luck,
but it's encouraged me to have a go again. So go on, give it a try
yourself!
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